Keys held or received
Free iconography course
The Twelve Apostles
Learn to recognise the Twelve in art. Compare works from museum collections and follow the evidence from a painted attribute to the story behind it.
Course syllabus
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Learning objectives
- Identify Peter, Andrew and the two Jameses from a visible attribute or inscription.
- Distinguish a Gospel episode from a later tradition of pilgrimage or martyrdom.
- Read a book, animal or tool in relation to the person holding it.
- Write a catalogue label that records the evidence and explains any uncertainty.
Read an exchange of keys, compare two rosters and distinguish an evangelist from a disciple.
Compare the brothers in calling scenes, single portraits and Caravaggio’s telling of Peter’s denial.
Follow James from the account in Acts to the pilgrim and horseman in later Iberian art.
Study John’s eagle and chalice and the works in which a gesture takes their place.
Compare Bernini’s double portrait with scenes of Thomas before the risen Christ and the feeding of the crowd.
Study two uses of the book and the different names attached to James in biblical and artistic sources.
Compare a martyr’s knife with the evidence of enamel, gold-ground panels and their inscriptions.
Read neighbouring panels, separate the two Johns and consider two names for Ribera’s spear-bearing apostle.
Build a caption from details visible in the image and check its claims against a collection record.
Explain your choices using the painting, its collection record and the relevant primary text.
Gallery of the Twelve
Two crossing diagonals
A pilgrim staff
An eagle alongside a writer
A tall upright cross
A knife in an apostolic portrait
A winged human companion
A hand reaching towards Christ’s side
A fuller’s club
A saw with a toothed edge
A small image of Christ
An axe in some portraits
Core apostolic attributes
Open the attribute explorerFrequent confusions
How to tell them apart
Keys point to Peter, a saltire to Andrew. In fishing scenes both may share one net.
Final evaluation
Apostles visual & theory exam
Module J includes the final course exercises. For more practice, try a separate test on apostolic iconography.