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Lesson39/ 54

Bartholomew, Simon, Jude and Matthias

Matthias after the Ascension

Distinguish the election in Acts from later signs in portraits of Matthias.

8 minHistorical context
The apostle Saint MatthiasWorkshop of Simone Martini · c. 1317–1319 · CC0
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Reading

Two candidates and a lot

In Acts 1 the community puts forward Joseph Barsabbas and Matthias. After prayer the lot falls to Matthias, who is counted with the eleven. This is the episode that distinguishes him from the original companions pictured with Christ at the Last Supper.

Read the gold-ground panel

The Met attributes its Saint Matthias to the workshop of Simone Martini. Follow the letters on the gold ground and look for the book against the robe. Rubens’s Matthias instead holds an axe. The axe belongs to martyrdom imagery. It is unnecessary in a picture of the election.

A small panel from a group

The painted surface is only about 26 centimetres high. The Met places it in a series of saints from an altarpiece. Imagine several panels side by side. A name at shoulder height lets a viewer tell one figure from the next even when more than one holds a book.

Key takeaway

An election and a martyr’s portrait tell different parts of the saint’s story.