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Lesson12/ 54

Peter and Andrew

A fresco and a night scene

Compare how Perugino and Caravaggio direct attention towards Peter.

8 minArt & masterworks
Christ handing the keys to PeterPietro Perugino · Sistine Chapel, Vatican
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Reading

A public act in a square

Perugino leaves space around the meeting of hands and keys. The building on the central axis and the receding pavement draw the eye into the picture, yet the large figures in front bring it back to the exchange. Imagine covering the keys. The kneeling posture still tells you who receives something.

Faces close to the picture plane

Caravaggio places the accusers and Peter close together in darkness. Instead of a wide architectural setting, light picks out the faces and hands. Compare the space between giver and receiver in Perugino with the small interval between the accusing woman and Peter in Caravaggio.

Key takeaway

The same apostle can occupy the centre of a public ceremony or the edge of a confrontation.