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New Testament

Mary Magdalene

Magdalene

Look for a small ointment jar, often with a lid. It links Magdalene’s portraits to the tradition of the women bringing spices to the tomb.

The penitent MagdaleneTitian · c. 1561–1565
Feast
July 22
Era
1st century · Galilee, Jerusalem
Difficulty
Intermediate

Iconographic Attributes

Iconographic field guide

Identifying features

The ointment jar links to anointing traditions; long unbound hair marks the “penitent Magdalene” type popular in Counter-Reformation art. Skull in wilderness scenes signals contemplation. Eastern icons may show her as myrrh-bearer at the tomb without extravagant hair.

Clothing
long hair · rich robes
Colours
red · gold
Symbols
alabaster jar · skull
object

Ointment Jar

Alabaster or glass vessel—primary Western attribute.

symbol

Skull

Meditation on repentance (memento mori)

symbol

Flowing Hair

Flowing locks in penitent scenes; not universal in Eastern tradition.

Biography

Life & legacy

John 20

John describes Mary of Magdala meeting the risen Jesus and taking the news to the disciples. Later Western tradition associated her with Mary of Bethany and the unnamed woman who anointed Jesus. The ointment jar and penitent imagery reflect this history of interpretation.

Luke 8:2; Mark 15–16; John 20; apostolicae sedis on clarified identity (2016).
Representation in Sacred Art

Narrative scenes to recognize

Noli me tangere
penitent in wilderness
at the tomb
Visual Recognition Guide

1.Ointment jar or alabaster box

Anointing at Bethany tradition

2.Long flowing hair

Penitent Magdalene type

3.Skull

Meditation on repentance (memento mori)

4.Red or gold robe

Rich garments of the penitent saint

Patronage and Devotion
penitent sinnersperfumershairdressers
Distinguishing Similar Figures

Often confused with Virgin Mary: Sometimes confused with other Marys in tradition

Notes from the Archive
  • First to announce the Resurrection to the apostles
  • Eastern and Western iconography differ on hair and jar emphasis

Practice

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