Ointment Jar
Alabaster or glass vessel—primary Western attribute.
New Testament
Magdalene
Look for a small ointment jar, often with a lid. It links Magdalene’s portraits to the tradition of the women bringing spices to the tomb.
Iconographic Attributes
Iconographic field guide
The ointment jar links to anointing traditions; long unbound hair marks the “penitent Magdalene” type popular in Counter-Reformation art. Skull in wilderness scenes signals contemplation. Eastern icons may show her as myrrh-bearer at the tomb without extravagant hair.
Alabaster or glass vessel—primary Western attribute.
Meditation on repentance (memento mori)
Flowing locks in penitent scenes; not universal in Eastern tradition.
Biography
John describes Mary of Magdala meeting the risen Jesus and taking the news to the disciples. Later Western tradition associated her with Mary of Bethany and the unnamed woman who anointed Jesus. The ointment jar and penitent imagery reflect this history of interpretation.
Luke 8:2; Mark 15–16; John 20; apostolicae sedis on clarified identity (2016).
Anointing at Bethany tradition
Penitent Magdalene type
Meditation on repentance (memento mori)
Rich garments of the penitent saint
Often confused with Virgin Mary: Sometimes confused with other Marys in tradition
Practice